Below, the 'Wizard of Oz' is presented as an allegorical representation of our U.S. economy. An economy which is currently very precariously balanced on a precipice as it were. Irresponsible spending and banking scams, played out in the international arena, have placed our nation in a state of peril.
This very clever interpretation of the classic tale should provide a better understanding of how a U.S. currency, once backed by gold, was insidiously manipulated over time and replaced by a fiat currency which is now backed by thin air at best. Some say there is a movement going on 'behind the scenes' to again restore our U.S. Treasury system to one which will be backed by gold. Note the symbolism of 'the yellow brick road' described below. LH
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The Wizard of Oz
The Wizard of Oz was produced as a motion picture in 1939 by Metro-Goldwyn-Mayer. (Book by L. Frank Baum; Adaption by Noel Langley; Screenplay by Florence Ryerson, Noel Langley, and Edgar Allan Woolf; Lyrics by E. Y. Harburg; Produced by Mervyn LeRoy; Directed by Victor Fleming.)
Many people believe that The Wizard of Oz was (and is) an allegory for the radically new state of affairs that existed in America in the 1930s, following the stock market crash and the bankruptcy of the United States Government which occurred immediately thereafter. For all extents and purposes, it can still be viewed as the current state of affairs, inasmuch as the allegorical nature, the clues strewn throughout the story, are still relevant today. The authors of Redemption in Law, Theory and Practice [BBC of America, 2000] have, for example, provided an interesting interpretation of the story of The Wizard of Oz, one which bears a considerable amount of attention being paid. Much of what follows, comes from pages 180 to 185 of their book.
The initial setting of the story is, of course, Kansas, the geographical center of the USA, and the symbol for the heartland of America. The tornado (twister) that arrives is all about the whirling confusion that existed after the stock market crash, the theft of the country’s gold, the US Bankruptcy, and the Great Depression. The twister takes Dorothy and her dog, Toto, into a new, artificial dimension, above the solid ground of Kansas. Upon their arrival, Dorothy notes: “Toto, I have a feeling we’re not in Kansas anymore.”
Right on, Dorothy. After the bankruptcy, Kansas was no longer “Kansas”, but now “KS”, an artificial corporate venue of the bankrupt US, a newly established “federal territory”, and part of the “Federal Zone”. Dorothy and Toto were “in this state”, which according to Redemption in Law, implies they were for tax jurisdiction purposes in the “District of Columbia” (aka “United States”) -- whereas Kansas is not included in “this state”, “KS” is.
One of the first entities Dorothy met was the Scarecrow, who represented the legal Straw Man which had been created as an artificial aspect of the former American sovereigns. The legal term, Straw Man, describes a fictitious or artificial person created by law at one’s birth via the inscription in all-capital letters on the birth document/certificate -- the latter being document of title and a negotiable instrument. It is allegedly by way of the Straw Man that the creditors of the US Bankruptcy can so effectively (and legally?) take for their own use the benefits of individuals’ labor, creativity, talents, and productivity.
In the movie the Scarecrow, describes his straw-man persona by noting: “Some people without brains do an awful lot of talking. Of course, I’m not bright about doing things.”
The Scarecrow then succinctly describes himself in the classic song, “If I Only Had a Brain.” The lyrics include: “I’d unravel every riddle, For every ‘individdle,’ In trouble or in pain.”
The translation is that for every individual, who discovers the existence of his or her legal Straw Man, all political and legal mysteries, complexities, and confusions begin to be resolved. And once that same individual takes legal title to his or her Straw Man, he or she can protect themselves from legal trouble or legal damage.
The Tin Man arrives next on the scene. I.e. the “T-I-N” (Taxpayer Identification Number) Man is a hollow man of metal, a “vessel” or “vehicle”, the newly created commercial code words for the Straw Man. Just as the Scarecrow/Straw Man has no brain, the Tin Man has no heart. Both are “artificial persons”. Natural person are created by nature or God, while artificial persons are created by human laws, for the purposes of society/government (“bodies politic” or “corporations”).
One of the definitions in Webster’s Dictionary is “counterfeit”. Thus the Tin Man might also represent the mechanical and heartless aspect of commerce and commercial law. As they are reputed to say in the Mafia: “Nothing personal, it’s just business.”
The Tin Man also carries an ax. Did you ever wonder about that? The ax is a traditional symbol for that which is above a King. In this case, commercial law, i.e. Corporate Rule is above the sovereign! It’s not a nice connotation -- any more than the “Axis Powers” of World War II included Nazi Germany, Italy (a fascist state) and Japan; or the more recent “Axis of Evil”, coined by President George Bush in 2002, but curiously not yet applied to Cheney, Ashcroft and himself -- the ABC’s of such.
The Tin Man, expressing relief after Dorothy had oiled his arm, said: “I’ve held that ax up for ages.” And perhaps he is still having to do so. For the symbol for fascism is the “fasces”, a bundle of rods with an ax bound up in the middle, but with its blade projecting. This fasces may be found on the American Mercury-head Dime (the Roman deity Mercury was the God of Commerce), and on the wall behind, and on each side of, the speaker’s podium in the US Senate (each gold fasces being approximately six feet in height). At the base of the podium of the seal of the US Senate are two crossed fasces. Hmmmm...
Dorothy, the Scarecrow and Tin Man are soon joined by the Cowardly Lion. Known as the “king of the beasts”, it’s surprising to find one so cowardly. It appears to represent the once-fearless American people who had lost their courage, the courage to denounce the US Bankruptcy, and inform its creditors that they were not the chattel that could be used as collateral for the moneys allegedly owed. Of course, dealing with the IRS tends to leave most of us in the cowardly state; but that is due in large part to the heartless, brainless actions of an organization operating strictly under the laws of Commerce.
In order for Dorothy and the gang to find the Wizard (the supposed answer to their prayers), they had to “follow the yellow brick road.” In other words, follow the money -- the trail of the gold taken from America -- and find who had absconded with it.
It’s important to recall from the beginning of the movie, that the Wizard was represented by a traveling mystic, a “Professor Marvel,” whom Dorothy had first encountered when she ran away with Toto. The Professor’s shingle claimed that he was “Acclaimed by the Crowned Heads of Europe, Past, Present, and Future.”
That’s quite a claim -- to include the future -- but seems well justified in that the Wizard is still acclaimed by the “crowned heads of Europe.” Before the Banksters looted America, they had already disempowered the monarchies of Europe and looted their kingdoms. And with a human skull atop the perch above the door to his wagon, the Wizard began to lecture Dorothy about the priests of Isis and Osiris and the days of Egypt’s pharaohs.
read more here:
http://www.halexandria.org/dward313.htm
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